Author: Bradley L Garrett

Canterbury School of Architecture Talk

I will be at the Canterbury School of Architecture tomorrow speaking on Explore Everything: Place Hacking the City. Opening drink will be at 5.30pm and the lecture at Lecture 6pm in the Architecture Building Foyer Space at UCA Canterbury. It is assumed that every inch of the world has been explored and charted; that there is nowhere new to go. But perhaps it is the everyday places around us—the cities we live in—that need to be rediscovered. What does it feel like to find the city’s edge; to explore its forgotten tunnels and scale unfinished skyscrapers high above the metropolis?...

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Last Breath

A few months ago, I was contacted about a new project in London, asking if I wanted to meet up and potentially get involved. This was around the time my book had just been released and I had to pass on the offer. When the first Last Breath Video was released online, I immediately regretted the decision: In a pub near King’s Cross a few weeks later, I chatted with him about what the project was about. It was an inspiring conversation. He had been working as an advertising executive for a major corporation for a few years. He...

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Ascending the stack: climbing Battersea Power Station

“It’s only after we’ve lost everything that we’re free to do anything.” – Fight Club Battersea Power Station was actually built in two halves. The first, what we call “A side”, was built in 1933. “B side” was built in the 1950s. The building is often identified by it’s four ‘identical’ chimneys, but inside the power station the two sides actually rather architecturally unique. Most people don’t know this because most people haven’t gone inside to see it. This is disappointing – it’s not very difficult and it will very soon be gone, at least in the form we’ve known since 1983 when the...

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What is art worth?

‘A work of art is the unique result of a unique temperament.’ -Oscar Wilde Let me start this post by saying that I don’t really consider myself an artist. Although much of my work has artistic value in terms of aesthetic impact and presents critique through reflection on experience, it’s not really my day job. That said, people often pay me for photography and video work. People also ask me to talk about making it for money and charity, like below at the London Vue Cinema in Front of 450 people a few months ago which, I guess, makes me a ‘professional’ on some level. Charity causes aside, there is a growing trend to treat professionals like us as if we don’t need to make a living. There is an assumption that we make art in our free time, ‘for the love’, or that until you have work in the Tate, you don’t deserve to get paid. This is a fucked up mentality – it’s like saying everyone at a company other than the CEO should be an intern (imagine the board of directors collectively jizzing over that notion!). I recently got an email from a property developer (and a Facebook message, and a LinkedIn message, and a Twitter DM) asking me if I want to display my photos on a massive 16×22 foot media wall in Philadelphia. I wrote back with my template response...

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Our own private island

Napoleon, as you might know, was a pretty aggressive dude. Between 1804 and 1812 British authorities built a chain of Martello Towers to defend the island against potential French incursions. A few of these were constructed in the Thames in case the little guy tried to sail his fleet up the river and bombard the Big Smoke. This particular tower, called the Grain Tower Battery, was built a bit later, in 1855, at the outlet of the river Medway, modelled on those earlier Martello towers. It was retrofitted during subsequent wars with gun emplacements due to it’s prominent position....

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